Showing posts with label lack of affect. Show all posts
Showing posts with label lack of affect. Show all posts

Saturday, January 24, 2009

42. Automata (The Conet Project, 4xCD; Music Box: Authentic Music of the Gay 90's; Wound Up Opera Played by Rare Antique Music Boxes)



1)

"asked for a smoke from an automata. he said "you are trying to quit." i said yeah. but i want a cigarette. he said "you are trying to quit." i said yeah, i know, c'mon man, i know what i'm doing. he said "you are trying to quit."

goddammit, sometimes i hate the automata."

2)

got on the bus. three automata were in the back seat. i was reading my book so i was distracted and pulled the bell to stop one stop earlier. the busdriver slowed down, i looked up and realized my mistake. "sorry man, next stop please?" i called out. the busdriver shrugged. i looked back at the automata.

one said "he made a mistake."

another said "why did he make that mistake."

the third said "mistakes are made when one is not ready."

the first said "what are mistakes?"

the third said "lack of preparation."

the second said "we make our own luck."

where did the automata come from. why is it that there are so many?

3)

what do automata say during sex? many do not speak. some say "the inscrutable psycho-physic nexus is identical in all innervation and lies outside the sphere of the will." some say that sex between automata is akin to the sense of dizziness in deaf-mutes. others say it is more like auditory hallucinations in deaf schizophrenics. automata are not helpful in such speculations. "i would rather not speak of that" they will say.

4)

when the automata dance, it is serious. their eyes are on the middle distance. they are seeing a more perfect, more efficient world. the dancing of automata contains no wasted movement. it is beautiful and cold and brittle, like porcelain, like a secret glance, like an orchid dipped in liquid nitrogen.

5)

"This is all we can say at present of the hypnotic subject's mental state,—a topic whose investigation will tax the wit, but certainly reward the industry, of the most ingenious psychologist who may devote himself to its elucidation." - from the journal of intelligence, a popular automata magazine.

6)

much on the minds of the automata is the concept of the phantom limb, the feeling in amputees of the physical presence of their lost limbs. they ask, does it grasp? does it reach out to touch the face of the beloved? monographs are published and ignored by the rest of us. a page of such a monograph blew down my street and was pinned against a tree by the wind. i picked up and read it. it said, anger and love and sadness and joy and rapture. then it repeated those nine words in a different font; lucida sans, if i recall. that is all that was on the page.

7)

automata flying airplanes. automata flying airplanes on the great circle routes. automata piloting the great ocean liners. automata in the trains beneath our cities. automata in motion, in progress.

8) (by Karl Bartos)

I asked the automata, "why am i here? why is my life like this?" The automata replied, "all calculations show that your life is wonderful". I smirked and said, "yeah, in theory." The automata became dark, metallic red and began spinning. Faster, faster and faster still, the automata spun and began to lift off the ground. I had been knocked on the floor by the extreme shift in pressure in the room due to the intense spinning of the automatia. Thats when a piece of debris, being sucked in from outdoors amongst other debris due to the pull by the spinning automata, flew in and stuck right on my chest. I grabbed it and looked. It was a Pamphlet for the Save A Child Foundation. I picked up the phone and called immediately.

9)

the automata will not use the word 'appears.' the automata will always use the word 'is.' this is widely seen to be one of the distinguishing characteristics of the automata.

10) (by Sprinx)

The automata built for the human hospital had to be taken out of the urgent care and into the recovery ward due to her inability to decipher which human to care for first. Her outdated commands and machinery gave her incomplete data on pain level and probability of survival. The chief felt that rather than take her apart or melt her away, he'd rather have her complete monotonous tasks, like changing the sheets. It's not that he was concerned about the machine's feelings, rather he was more concerned about losing a piece of himself along with it. Although humans know that automatas don't feel or have souls, they become attached knowing that getting rid of an automaton is to get rid of memories that go along with it. A selfish act.

11)

a questionnaire:

1. Your name, age, and address.
2. Date of amputation, and part lost.
3. Do you still feel the lost part? If you do not feel it now, for how long did you feel it after the amputation?
4. Are you in love? How would you describe this feeling?
5. How much of the limb can you feel, and how does the feeling differ from what it would be if the member were present?
6. If the apparent position changes of its own accord, can you assign any cause for such change?
7. Do you ever feel as if you had two imaginary legs in addition to a real one?
8. Can you, by consciously directing your attention to the lost part, change the intensity or quality of the feeling there?
9. How does love end, in your experience.
10. Can you, by making an effort of the will, succeed in making it seem to move into a different position? (Do you recognize as two distinct cases, imagining the change, and willing it?

et cetera.

12)

a current bestseller: Are We Automata? the photo of the author on the dust jacket shows her in serious thought, yet with a playful twinkle in her eye. is she smug or is she genuinely amused?

13)

the automata regard the concept of faith as being analogous to the concept of the phantom limb. in walter reed hospital, drifts of well-dressed automata blow down the halls, opening doors. they bring letters from loved ones. "honey, i wish i could be there," is a common opening in these letters. "i can't believe you would write that," is another. the automata read these letters to wounded soldiers in calming voices.

14)

the automata have a second table of the elements. some assume it is how they map us. some assume otherwise. neither is fully correct.

15)

the automata sing. the automata perform works of bach. the audience is confused. serialism, then post-serialism. the noted critic Anton M. writes in his journal upon returning home: "the voices of the automata are individually sweet but when massed in unison i found it almost unbearable... i would die to hear only their technique in full voice; but i would kill rather than to have to hear their perfect diction. never before have i heard the words, kyrie eleison christe eleison, spoken with such awful clarity." he takes to the bottle and dies some years later a worthless scoundrel.

16)

i was approached by an automata on crutches on the Rue Guillaume James. his eyes were fever-bright. "i love you!" he shrieked. taking a step backward, i saw that his foot was badly mangled, blood blooming through his bandages. he screamed "i love you!" and fell forward in the gutter. he reached for me. "au secours!" i called! "m'aidez! gendarmes! gendarmes!"

Tuesday, December 9, 2008

34. Please Hold (Ghana - High-Life and Other Popular Music [Saka Acquaye and His African Ensemble])


I am on hold. I am on hold, it is near freezing and I am waiting for Shane. I am waiting for Shane to arrive with the part. When the part comes, Shane will be with it and he will mount the part and then I will never see Shane again. I am on hold.

I called my own Company, the one I have worked for for twenty-six years, and I am on hold. I could call those years by number or letter, a through z. I try to think of people I know from a to z. Somewhere around d I give up. The music from hold is very pleasant. I don't know what it is.
When first I needed the part, I did not know what it was I needed. The first place I went to looked at me and said, "We don't have a computer. Engines, they need a computer. Why don't you go down the road and see Shane." Shane wasn't there, was sick. But his boss said "Let's see what the computer says." It said I needed a part. Shane's boss said "Let's see if we can't get Shane in here." That's why Shane is coming with the part. Thanks, Shane.

"Hold please." Why are you pleading with me. You are going to put me on hold anyway. You are perpetuating the illusion that we are having a dialogue here. You are perpetuating here the illusion that I had the choice to say "Yes I will hold thank you" or "No I would rather not hold if you please." You are perpetuating the illusion that if I had said "No I Would Rather Not Hold If You Please" then you would have done something different. We both know this not to be the case. I don't fault you, I am just saying.

Shane has been sick since last Wednesday. "What he's got I don't wanna get" said Shane's boss. But he's coming in to mount my part. Thank you Shane. You're a good man. I am assuming. Maybe you beat your wife. Maybe you eat sour cream out of the container and hit your wife. I don't know. I try not to judge. Based on the limited amount of information I have about you, Shane, I have to say it: you are a good man.

I would like a copy of this hold music. It is making my wait more pleasant. This wait is still not pleasant but the music makes it more so. My time on hold gives me the chance to reflect on my falling standing at the Company. I would never have been put on hold before Keller. Before Keller I was golden. That was twenty-five years ago. Twenty-five years ago my calls go straight to the top. Since Keller my calls take the scenic route. Since Keller I have become a connoisseur of hold music. Since Keller I have become a hold music gourmand. This is good hold music. It might be the best. When Shane comes I shall recommend it to him. We will see what happens.